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The repertoire of a pianista does not have to never finish being increased. Therefore a panoramic vision of musical Literature and the evolution of the technique and the pianística interpretation will only be able to be had. In his Pensamientos musicales (Musical Thoughts) the Argentine composer and pianist Alberto Williams very well said: «to maintain a step ahead obtained, like a bandit who assaults a strength, a effort much greater is needed than the one than occurred to conquer it». That illustrates the work which I must make to maintain a repertoire, but thanks to God, often are the subconscientious one that solves the problems to us, and this I notice it when I retake works that did not touch already a time ago, and me the encounter more mature than the last time. I never touch a work twice followed of the same form. Treatment always of to be creative and that is not a reproduction of which it is written in the score, rather a production.
Of works of the traditional repertoire, we have enough references of like interpreting them, but attention: we do not let ourselves influence. The national schools also force, to know the diverse flexions characteristic of respective folkl, with their had taste and balance. Of each work interpreted, aside from the references about its author, we must have to also know, in addition to its technical characteristics (form, tonality, etc.) the year, place, circumstance of the composition, and if there is it, its dedication.
Aguirre, Julián (Argentina)
5 National
Airs
Gato
Huella
5 Tristes
Aguirre, Manuel (Peru)
Sombras
Albéniz, Isaac (Spain)
Evocación
Lavapiés
Granada
Tango
Malagueña
Annunziata, Mauricio (Argentina/Italia)
(see the Works catalogue o looking for Works)
Bach, Johan Sebastian (Germany)
El clavicordio
bien temperado (selección)
Invenciones a 2 y 3 voces (selección)
Bartok, Béla (Hungary)
6 Romanian Dances
Beethoven, Ludwig van (Germany)
Sonatas Nos. 1,
2, 6, 7, 8, 14, 21, 27
Allegretto in
C Mayor
Sinfonía Nro. 1 (Transcr. M. Annunziata)
Boero, Felipe (Argentina)
10 Aires Nacionales
Chopin, Fryederyc (Polonia)
Mazurkas
(selección)
Fantasía
impromptu Op. 66
3 Nocturnos Op.
3(selección)
2 Polonesas Op.
40 y Op. 53
3 Valses Op. 69
Gaito, Constantino (Argentina)
Ollantay
Ginastera, Alberto (Argentina)
3 Argentine dances
3 Pieces
Granados, Enrique (Spain)
Spanish Dances (Andaluza, Oriental, Melancólica)
Guastavino, Carlos (Argentina)
Cantilenas
(selection)
Sonata
Grieg, Edvar (Noruega)
Lyrical pieces
(selection)
Fairy
Dwarves March
Falla, Manuel (Spain)
Ritual dance of fire
Liszt, Franz (Hungary)
Sonata in Bi Menor
6 Consolations
Hungarian Rhapsodies Nos. 2, 3, 5, 6, 7, 11, 13, 14, 17
Liebestraume No. 3
The chapel of Guillermo Tell
Au bord d'une
source
Jeux
d'eau de Villa d’Este
Mephisto Waltz
Nro. 1
The rossignol
Regata veneziana
López Buchardo, Carlos (Argentina)
Canción del carretero (Transcr. L. Brunelli)
Mendelshonn, Felix (Germany)
Introduction and
rondo capriccioso
Barcarola
veneziana
Le filateur
Mozart, Wolfang Amadeus (Austria)
Sonatas (complete collection)
Fantasías (complete collection)
Rachmaninov, Sergei (Rusia)
Concerto
for Piano and Orchestra Nro. 2
Prelude Op. 23
Nro. 5
Etude Tableau Op. 33 Nro. 7
Rossini,
Giovacchino (Italy) - M.
Annunziata
Il barbiere di
Siviglia (Ouverture)
La gazza ladra (Ouverture)
Semiramis (Ouverture)
Sáenz, Pedro (Argentina)
Suite «Aquel viejo Buenos Aires»
Schubert, Franz (Austria)
4 Impromptus Op. 90
Ugarte
Floro M. (Argentina)
Suite «Mi tierra»
Tchaikowsky, Piotr (Rusia)
October
Villa-Lobos, Heitor (Brazil)
Dansa do indio branco (IV do Ciclo brasileiro)
Williams, Alberto
(Argentina)
A la huella,
huella
Adiós a la
tapera
Asómate a esa
ventana
Canción del
cabrero
Cortejo
campestre
Nocturno de la
selva
Despertar de la
selva
El rancho
abandonado
En la pulpería
Escarceos de mi
pingo
Halo lunar
Huella
Junto al fogón
La colina
sombreada
Lo mesmo pa'
diferenciar
Mate amargo y
otras amarguras
Mazurka N° 1
Milonga del tropero
Miniatura in la
Miolonga
del volatinero
Nido de
colibríes
Noche
serena
Santos Vega bajo un sauce llorón
Mauricio Annunziata
Roma, Decimbre 2002
